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Blur v Oasis was only part of the story: the case for a wider – and wilder – Britpop canon

The UK musicians who came to prominence in the mid-90s were more diverse and thrilling than is often acknowledged. In her new book, Miranda Sawyer, who was writing for the music press at the time, looks back at a misunderstood eraThere are people who could spend all day arguing about Britpop: what it was, what it is, who invented it, when it started and ended, which bands are Britpop and which aren’t. These people are journalists. Specifically, music journalists, who possess the pedantic instinct of all journalists to get the facts right, but also, because they write about pop music, have a competing desire to be romantic. To mythologise. To make people and events and songs and whole entire years seem more flamboyant, more life-changing and revolutionary than they actually were.The peop...

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